ENG 487
Fall 2004
W 1:30-4:20
Carolina Inn 205

The Web of Modernism

Suzanne W. Churchill
Associate Professor of English
E-mail address
suchurchill@davidson.edu
Office location
Carolina Inn 204
Office phone
704-894-2695
Home phone
896-3993 (for emergencies only)
Office hours
M 1-3, T 9:30-11, and F 10:30-12,
or, if these times conflict with your schedule, by appointment.
Course Information
I. Course Description

This seminar will study modernist texts in the contexts of the little magazines in which they were first published. Modernist little magazines were typically low-budget, small-circulation, short-lived enterprises founded by individuals or small groups intent upon publishing the experimental works or radical opinions of untried, unpopular, or under-represented writers. Little magazines provided a venue for unknown writers like T. S. Eliot, James Joyce, and Gertrude Stein to publish work deemed too radical and experimental—too bizarre, obscene, or even ridiculous—for mainstream publishing houses and mass-market magazines. By returning to these little magazines, we will seek to recover the connections, influences, affinities, debates, and disagreements that entangled these and other writers in the web of modernism. We will read Eliot’s “The Waste Land” as it appeared in The Dial, Wallace Stevens’s “Sunday Morning” as re-arranged in Poetry, Mina Loy’s futurist-feminist poems as presented in Others, and Gertrude Stein’s cubist experiments as they filled the pages of Camera Work. We will not confine our attention to the artistic avant garde, but will explore the political radicals of the same period, as they appeared in The Masses. We will also read the works of Langston Hughes, Jean Toomer, and Claude McKay as they appeared in Harlem Renaissance journals such as Opportunity, The Liberator, and The Messenger—little magazines in which aesthetic experimentation and political radicalism sometimes coincided and sometimes collided.

Students will contribute to the ongoing construction and expansion of the informational web-site, “Housing Modernism: A Bibliography of Selected Little Magazines” (http://www.davidson.edu/academic/english/modernism/index.html). Each student will write a research paper on a little magazine or on a modernist writer as seen through the contexts of a little magazine. This year for the first time, the website will include an journal of undergraduate research—featuring your final papers! No previous web-authoring experience required, though basic computer literacy and/or technological courage are desirable.

II. Attendance & Participation

You will be expected to come to class with relevant texts and assignments, prepared to participate in a lively, informed manner. Because participation is crucial to a seminar, please try to attend every class. You may miss one class unexcused without directly lowering your grade, but use that absences wisely, because except in the case of verifiable hardship (e.g. Dean's or doctor's excuse), each absence after the first lowers your final grade by 1/3 of a letter. For instance, a student with a B- final grade who missed 4 classes would earn a C+ for the semester. You will also be required to attend several web-writing workshops. Dates are marked on the syllabus. Note them now in your academic calendar.

III. Distribution List & Blackboard

A distribution list is a common e-mail address. You will receive messages from me and can post messages to the entire class using this address: ENG487_F04@davidson.edu. Anything relevant to the class is relevant to the distribution list--reminders, announcements, questions, and continuations of a great discussion. But remember that a message posted to list goes to EVERYONE in the class, so it is not the proper forum for private or frivolous uses. Consider our distribution list a shared public space.

In order to keep our email boxes uncluttered, we'll be using Blackboard as an electronic discussion forum—in preparation for each week's class discussion. You will post brief, informal responses (1-paragraph min./1-page max.) to the readings by 6 a.m. on Wednesdays. These responses will not be graded, but they will be evaluated and figured into class participation. Their purpose is to serve as a warm-up for class discussion, as well as to keep your writing muscles limber for the final research paper.

IV. Presentations, Papers, & Web pages

In addition to reading all of the assigned texts, you will be expected to:
• post weekly responses to Blackboard,
• edit and correct an existing set of little magazine webpages,
• create a new set of pages for a little magazine not yet represented on the current site,
• prepare and present expert testimony for two class discussions,
• contribute to the design and implementation of an undergraduate web journal, and
• prepare a lengthy research paper for publication in our undergraduate web journal.
Successful completion of these assignments will require a good deal of independent and collaborative work outside class time, including attendance at required lab sessions for web training.

Expert Testimonials [ET]: In the course of the semester, you will research and present expert testimony about an author and a little magazine. You are encouraged NOT to think of this testimony as "background," but to present the material in a creative, theoretical, and provocative manner. If you are the expert witness for a little magazine [ETM], you should read around in its entire run in order to present a "character study." You should also provide bibliographic data about its location, size, budget, run, paper quality, audience, editors, means of publication & distribution, etc.. If you are presenting on the author [ETA], provide a brief critical history along with any biographical information or other material you think relevant. You may also chose to present on some other textual or extra-textual materials [ETX]—more on this topic later. Expert testimonials should not exceed ten minutes, so plan your presentation wisely and creatively. Besides the little magazines themselves, the little magazine bibliography, The Dictionary of Literary Biography, and the websites edited by Cary Nelson and Al Filreis may provide useful starting points for your research.

Required Texts

Electronic Reserves [ER]: readings available through CHAL; please note that most of the critical and theoretical readings are on electronic reserve. You must bring printed copies of assigned readings to class. To avoid electronic mishaps, you may want to print all the readings up front and have them bound into a course packet. An asterisk (*) indicates an optional (but highly recommended) text.

T. S. Eliot, The Waste Land and Other Poems, Penguin, 0-14-118072-2
Claude McKay, Selected Poems, Dover, 0486408760
Langston Hughes, Selected Poems, Vintage, 067972818X
Mina Loy, Lost Lunar Baedeker, Noonday 0374525072 (purchase on-line, if bookstore is out)
Jean Toomer, Cane, Norton, 0393956008
Wallace Stevens, The Palm at the End of the Mind, Vintage 0679724451
William Carlos Williams, Imaginations, New York: New Directions Press, ISBN 0-8112-0229-1 ("Spring & All" also available on ER)
Little Magazine Packet (purchase from me, checks payable to the English Department)
*MLA Style Manual, ed. by Joseph Gibaldi, Modern Language Association; ISBN: 0873526996.
Grade Breakdown
Percent of Final Grade
web page corrections 10
new web pages 25
abstract & biography 5
research paper 25
expert testimony 20
participation 15
DATE READING AND WRITING ASSIGNMENTS
Wed., Aug. 25 Introduction
Gertrude Stein and Camera Work (handout)
Unit 1 Making History
In this introductory unit, we examine the work of the poet—and the poem—that came to define modernism for subsequent decades. We will also compare an early, defining history of little magazines to a more recent one.
Wed., Sep. 1

T. S. Eliot & The Dial
The Dial, November 1922
Schucard, gloss on "The Waste Land" [ER]
Rainey, introduction to Institutions of Modernism [ER]
Hoffman et al, from The Little Magazine: a history and a bibliography [ER]
Churchill & McKible, Introduction to Little Magazines and Modernism: new approaches[ER]
Expert Testimony on Magazine [ETM]:
Expert Testimony on Author [ETA]:

Unit 2 Reading Form
Wed., Sep. 8 Marianne Moore & The Egoist
The Egoist, August 1918
West, "Imagisme" (from The New Freewoman) [ER]
McGann, The Textual Condition, Introduction & Ch. 4 [ER]
Bornstein, "Introduction" to Material Modernism and "Pressing Women" [ER]
[ETM]:
[ETA]:
[ETX]:
[ETX]:
Wed., Sep. 15

Mina Loy & The Little Review
The Little Review, VII: 3, 1920
Hoffman et al, Ch. IV [ER]
Burke, "The New Poetry and the New Woman" [ER]
Golding,"The Dial, The Little Review, and Modernist Canonicity" [ER]
[ETM]:
[ETA]:

Wed., Sep. 22 Wallace Stevens & Poetry
Poetry, November 1915
Others, December 1917
Pound, "Imagisme" (from Poetry) [ER]
Hoffman et al, Ch. III [ER]
Newcomb, "Others, Poetry, and Wallace Stevens"[ER]
[ETM]:
[ETA]:
Wed., Sep. 29 William Carlos Williams & Others
Others, July 1916 & July 1919
Williams, "Spring & All" in Imaginations or [ER]
Churchill, "Williams & Poetics of Ending Others" [ER]
Selected readings on web design [Blackboard]
Required Design Workshop, 3 - 4:30 p.m.

• principles of web design
• writing for the web
• copyright issues
• evaluate existing home page of “Housing Little Magazines” to see whether it meets standards
• assignment: each student evaluates pages for specific magazine on existing site, marking recommended changes on hardcopy (due 10/8 at 1:30 p.m.)
Unit 3 Reading Politics
Wed., Oct. 6

Getting in Touch with the Masses
The Masses, Jan. 1915
Nelson, from Repression & Recovery [ER]
Morrisson, "Pluralism and Counterpublic Spheres: Race, Radicalism, and the Masses" [ER]
[ETM]:
[ETX]:
[ETX]:
[ETX]:
[ETX]:
[ETX]:

Fri., Oct. 8 Required Hands-on Training Workshop, 1:30-3:30 p.m.
• suggested edits to existing web pages due in hard copy
• basic training (DreamWeaver, Fetch, etc.)
• begin implementing changes to existing magazine pages
Oct. 11 & 12 FALL BREAK - Start reading Toomer's Cane!
Wed., Oct. 13 Claude McKay & The Liberator
The Liberator, January 1922
McKible, “Life is real” [ER]
[ETM]:
[ETA]:
Fri., Oct. 15
Optional Drop-in Lab Session, 1:30-4 p.m.
Wed., Oct. 20

Jean Toomer & Broom
Broom, August 1922
Toomer, Cane
Blair, "Home Truths: Gertrude Stein, 27 Rue de Fleurus, and the Place of the Avant-Garde" [ER]
[ETM]:
[ETA]:

Fri., Oct. 22 Optional Drop-in Lab Session, 1:30-4 p.m.
* Final corrections & redesigns of existing magazine pages must be posted to the web by 4 p.m.
Wed., Oct. 27 Langston Hughes & The Crisis
The Crisis, Dec. 1925, Mar. 1926, Feb. 1923, or Aug. 1923
from Contempo, Dec. 1, 1931 [ER]
Johnson & Johnson, from Propaganda & Aesthetics[ER]
Nelson, from Revolutionary Memory [ER]; see also his analysis of "Christ in Alabama"
Rampersad, "Hughes Life and Career"
[ETM]:
[ETA]:
Unit 4 Making Little Magazines
Wed., Nov. 3 Writing Workshop
*Abstracts & annotated bibliographies due (10 copies)
Fri., Nov. 5 Optional Drop-in Lab Session, 1:30-4 p.m.
Wed., Nov. 10 Required Drop-in Lab Session and Conference with Dr. Churchill
* Draft of cover design for undergraduate journal of little magazine scholarship due by 4 p.m.
Wed. Nov. 17 Optional Drop-in Lab Session, 1:30-4 p.m.
Wed., Nov 24

THANKSGIVING BREAK

Wed., Dec. 1 Presentations (10-minutes max.)
* Final Papers due(in standard Word format for conversion by ITS staff to PDF)
Fri., Dec. 3 Drop-in Lab Session, 1:30-4 p.m.
* Final cover design for undergraduate journal due at 4 p.m.
Mon., Dec. 6

* New web-pages must be posted to the web by 4 p.m.

Wed., Dec. 8

Celebration with ITS staff
Unveiling of new & improved website & undergraduate journal

Thu., Dec. 9

Reading Day