 |
First cover of the magazine, Dec. 1920. The description alludes
to the magazine's belief that artists must be sensitive to their
locale. |
Second cover of the magazine.
date not marked. The description on this cover resembles the Imagists
belief in realizing the object as it really is, not as an abstraction. |
 |
After McAlmon married Bryher, he continued
to fund Contact, but from Paris. With the money from his
new marriage, McAlmon started Contact Editions and printed many American
expatriate writers. This photo was taken during his time
in London
before
moving
to Paris. |

Photo taken from Being Genuises Together. |
 |
One of the few pieces of art found in Contact.
The magazine published poetry principaly, but in the third issue,
Rex Slinkard provdied a series of paintings depicting scenes from
his "Letters." |
During his time in Paris, McAlmon frequented
Joyce's apartment and after many drinks Joyce would recite poetry
or read from works in progress.
|

Photo taken from Being Genuises Together. |
Compiled by Theodore Waldo Emerson(Class of '06, Davidson College) |