Weinstein

This course will explore critical issues in the history and practice of music recording, focusing especially on how music recording has participated in the discourses of modernism and late capitalism.  The course considers the technologies and agents that have shaped its history and its aesthetics, the social and economic systems that impact its creative forms, and theoretical approaches to recorded sound itself. 

Satisfies the Visual and Performing Arts requirement.

Prerequisites
No music training required.

Class Details
Course MUS 235
Section 0
CRN 20323
Time T R
Time 0110 - 0225pm
Building 201 SLOAN
Instructor Marcus Pyle
Notes
Max 20
Current 0
Remaining 20
Semester Spring 2022